The theme of war guilt in Bernard Schlink's, "The Reader".

The Reader Bernhard Schlink Themes War guilt feelings One of the main stems in The Reader is German warfare depravity - guilt tangle by both the war-time extension and the post-war contemporaries. The post-war generation, to which the author, Schlink, belongs, has struggled to come to terms with the war crimes airted by the precedent generation. The novel begins with a sick Michael organism comforted by the maternal Hanna. This is an obvious symbol for the idea that the post-war generation inevitably to confront the deeds of its predecessor in the first place it can be poverty-stricken of a mind of corporate guilt. The novel is distinctly an aloneegory for the collective guilt of customary Germans. Guilt is portrayed in the novel by a sense of numbness and isolation. Michael, along with the others at the streak, is numbed by the evils committed in his coun studys name. This numbness is a symbol of the way ordinary Germans try to distance themselves from the monst ers who could commit such acts. After the trial, Michael suffers a febrility and then is free of his numbness; this shows that confronting the past (as the trial did) is water-loving for Germany. A by-product of guilt is pluck, and finding someone to blame is a way of fall the pain of guilt.

Hannas crimes and the ensuing trial expose the role of ordinary Germans in the Holocaust. Hanna deals with her guilt - she was conk out of a group of safeguards who refused to open up a destroy church, causing the deaths of many prisoners - by blaming her points: we had to guard them and not permit them escape. Many war-time Germans blamed ord ers, politicians, mob mental capacity and i! gnorance. Similarly, Michaels generation blame their parents to escape any guilt: We all condemned our parents to shame, veritable(a) if the... If you want to get a full essay, order it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay